His work is connected with the Jewish Historic-Ethnographic Museum, where he worked as a watchman in the latter years of his life. Shalom Koboshvili (1876-1941) is the foremost Jewish painter in Georgia. The exhibition entitled "Artist and Epoch" on show at the Simon Janashia Museum of Georgia is dedicated to the 145th anniversary of Shalom Koboshvili's birth.
Since 2003 Akhalkatsishvili’s works have regularly been shown in Georgia as well as abroad: in Europe, Japan and the USA where he has participated in art fairs, personal and group exhibitions. He studied at the Tbilisi State Academy of Arts (1996-2003). Tato Akhalkatsishvili (1979) was born in Tbilisi, Georgia.
Tato Akhalkatsishvili's solo exhibition has been organized by the Cultural Center ATINATI'S and launched in collaboration with the Dimitri Shevardnadze National Gallery. Tato Akhalkatsishvili is an eccentric traveler who invites the audience to enter paintings that have neither door nor key. The exhibition wanders through the past and the future, beyond time, into Javakheti, the Gareja desert, an airfield, and spirit-inhabited forests, abandoned buildings and endless trails, to the Marshall Islands and alien rituals, into his own and another’s dreams. Tato Akhalkatsishvili’s exposition “Eccentric Traveler” was shown at Georgian National Museum / საქართველოს ეროვნული მუზეუმი. Established in 1895, today the Biennale is attended by over 500,000 visitors to the Art Exhibition Commissioner: Magda Guruli Curators: In-between Conditions - Giorgi Spanderashvili, Khatia Tchokhonelidze, Vato Urushadze “La Biennale di Venezia” has for over 120 years been one of the most prestigious cultural institutions in the world.
The Georgian Pavilion at the Venice Biennale 2022 is presented by Mariam Natroshvili and Detu Jincharadze with a project entitled “I Pity the Garden.” It is a VR experience with auto-generated real-time simulation. The Exhibition is taking place in the Central Pavilion (Giardini) and in the Arsenale, and includes 213 artists from 58 countries with 1,433 works and objects on display. The Exhibition “The Milk of Dreams” takes Leonora Carrington’s otherworldly creatures along with other figures of transformation as companions on an imaginary journey through metamorphoses of bodies and definitions of the human. It is a world where everyone can change, be transformed, and become something or someone else. This year's Biennale is entitled “The Milk of Dreams,” which is the title of a book by Surrealist artist Leonora Carrington (1917–2011), in which she describes a magical world where life is constantly re-envisioned through the prism of the imagination. The 59th International Art Exhibition “La Biennale di Venezia” is running from 23rd April to 27th November 2022, and is curated by Cecilia Alemani. Curators: Nana Kipiani, Nana Shervashidze Co-Curator: Mariam Dvali As a result of their art being banned since the 1930s, their names have gradually been erased from memory and forgotten for over 70 years. As such, the curators of the exhibition decided to intervene in the Pirosmani exhibition space with works by those representatives of the Tbilisi Avant-Garde who had discovered Niko Pirosmani, and who managed to preserve his works for future generations. Nevertheless, this made it possible to intervene in the permanent exhibition, just as Iliazd did in his album dedicated to Melnikova, but only for the duration of this exhibition. This was conditioned by the presence of a permanent exhibition of Niko Pirosmani's paintings in one of the museum halls. Documentary material revealing these decades' historical, social, cultural, and political contexts is underrepresented. The curators Nana Kipiani and Nana Shervashidze decided to prioritize exhibiting the artworks in order to show as many works as possible - well-known and unknown, or familiar but not in the general modernist context, as well as to demonstrate the artistic diversity of the period. Georgian Modernism and Tbilisi Avant-Garde (1910-1932) - The exhibition presents Georgian Modernism and the Tbilisi Avant-Garde of 1910–1932. GEORGIAN MODERNISM AND TBILISI AVANT-GARDE